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Out of Your League
"Uh, no, I am the man in charge."
Mimi Leder's The Peacemaker (1997)
Points
for Reflection
Mimi Leder's The Peacemaker (1997)
- does Mimi Leder’s crew appear to have hired actors from North America to play the characters from Russian and Serbia?
- the film opens in an elaborately ornate Greek Orthodox Church chock full of icons, chandeliers, and ceremonial ritual. Why might Leder open the film this way?
- what attitude have the members of the Russian military whom we meet adopted towards S.T.A.R.T. (Strategic Arms Reduction Treaty #1)?
- what sort of home does Leder choose to place alongside the train tracks, and with what sort of folk does she populate the civilian train?
- does Leder use CGI often?
- what transition does Leder use to bridge the opening, nighttime sequence with the scene of Dr. Julia Kelly exercising?
- why might Leder shoot a swimming Dr. Kelly from such odd angles?
- the audience knows what happened with the SS18 warheads because we witness the event. What story does Russian spin to cover up the truth?
- when Dr. Kelly tasks General Garnett with finding a military liaison with “intel background and Russian contacts,” she also asks for what other qualification?
- what key character attributes does our introduction to Lieutenant Colonel Thomas Devoe spotlight
- do the global politics of the late 90s map onto more recent geopolitical tensions?
- what trick does Leder use to transition from the characters speaking Russian to speaking English?
- what does Vlado’s reaction to Kodoroff’s use of a bomb tell us about Vlado?
- how does Dr. Kelly respond to Colonel Devoe’s hypothesis about what truly happened in the Ural Mountains?
- Dr. Kelly thinks the explosion which killed 1500 people was a terrorist attack. What alternative explanation does Colonel Devoe generate?
- why does Dr. Kelly place the roses in the trash?
- how does Colonel Devoe end up with coffee in his hands?
- does Dr. Kelly receive much pushback from men doubting her capability?
- during Devoe’s and Kelly’s conversation en route to Vienna, they express very different assumptions about what’s actually going on with the nuclear weapons. Later events end up justifying whose position?
- what does our introduction to the Grbavica quarter of Sarajevo, Bosnia reveal to us about its residents?
- in his first scene, Dusan Gavrich tells a young piano student, “Music should flow like a language.” Does the musical score of this film, composed by Hans Zimmer, seem an organic part of the scenes it accompanies?
- what kind of art has Mr. Dietrich Schuhmacher, who schedules all Russian shipping for the Kordech company, collected?
- how do Devoe and Kelly each process their near-death experience?
- what extra measure did Dr. Kelly take before logging off of Schuhmacher’s computer?
- why does Dusan end up traveling to the U.S.A.?
- how does Leder go about humanizing Dusan prior to his departure from Grbavica?
- who is the first to realize that the assassination of Zarko Preljevich, the Bosnian-Serb Finance Minister, might have something to do with the theft of nuclear weapons?
- why does Kodoroff so intensely dislike the refugees swarming the roads of Kumuh (due to renewed fighting between Armenia and Azerbaijan)?
- why does Dr. Kelly hesitate for a moment when pressed by General Garnett, on the phone, to make a decision?
- consider the Russians tasted with manning radar at their country’s border, as well as those at the Bazta checkpoint Does Leder set them up as two-dimensional caricatures, or as “normal” folk?
- at what points does Dr. Kelly’s knowledge about bomb-building—refined at Lawrence Livermore National Laboratory--come in handy?
- to what does the film’s title refer?
- is Dusan’s recorded appeal written, and delivered, so that it sounds like the tirade of a deranged madman?
- at what key junctures does Dr. Kelly prove invaluable, and are these moments consistent with the way her character has been constructed?
- what does the flashback suggest about the origins of some terrorist activity?
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The Peacemaker (1997)
one poster
Dr. Paul Marchbanks
pmarchba@calpoly.edu